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YVAA DENES 2004 |
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June, 25th – July 01st, 2004 |
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Museum of Macedonia, Kurshumli An |
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Jury: Slavica Janeshlieva (artist); Nade Peseva (curator); Kalina B. Isakovska (director, CAC) |
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Nominated artist: and Hristina Ivanovska / Jane Calovski |
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Oliver Musovic |
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MAMA ©
TELESHOP |
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short description This work is done in collaboration with my mother - Makedonka Andonova. It is a spatial installation which consists of series of photos, texts and video infomercials. The project offers a personal, anecdotal view on the new processes of consumerism of our “transitional” society, above all on the “direct marketing”, and it tries to make an analysis of the new consumer psychology (not a very serious one), where the act of shopping becomes almost a religious act and the branded products, objects of adoration. Oliver Musovik, born 1971in Skopje, Macedonia. Graduated in 1997 from the Faculty of Fine Arts in Skopje, department of Printmaking. 2004 MFA, Faculty of Fine Arts, Skopje. contact: address: Branko Zarevski 17/2/3, 1050 Skopje – Dracevo, Macedonia tel: 00 389 2 2792456; 00 389 70 744850 e-mail: musovik@mt.net.mk web: www.cac.org.mk/artists/musovik |
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Ljubomir Milosevski |
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CARRIES installation, 2004 metal and bones, h 2,70 m |
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From a formal point of view, the installation
“Caries” (2004) by Ljubomir Miloševski consits of three roots foundations
made of animal bones, with leaf-like shapes that coalesce with the mass:
they are sticked on metal pillars. In each root there is a head inserted,
frontally positioned. Above all of them dominates centrally positioned
skull, an element that connect them in a functional unity. In the art piece “Caries” the aesthetic is less important. The visual impression is focused on a composition of throwen bones. This ‘mess-like’ and ‘vagueness’ creates more dramatic situation, while the ‘caries’ that is decaying the bones represents a metaphor of the rottenness of the human kind, the reality of the past. Cruelly true bones suggest relationship with today’s political and social madness, domination, violence, mass-destruction... This art piece, made trough a process of long construction, exists in its primary comprehensiveness of a ritual figure, provocative in its obsessiveness and intensity which tend to become totemical archetype forms with simbolic power. The moral and existential dimension of the art piece is vivible trough an articulation of the simbolical moments of the tragic psychological impression of emptiness, destruction, fear, vain, schocking, human cruelty, ephemerality/death, getting back to the instincts. Trough offered (apocalyptical even) vision of the human kind and the fascination of the correlation of the human and the animal trough their basic instincts for survival makes this art piece functional on the level of brutal existentialism. Ljubomir Miloseski is born 1974 in Struga, Macedonia. Graduated from the Faculty of Fine Arts in Skopje, pedagogy department of painting, in the class of prof. Rubens Korubin. M.A. 2002 at the same Academy, painting department, in the class of prof. Rodoqub Anastasov. Contact: address: Draslaica, 6330 Struga, Macedonia tel.: 00 389 70 820737 e-mail: miloseski@yahoo.com |
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OPA - Obsessive Possessive Aggression (WINER YVAA
DENES 2004) |
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WINDOW TO THE WORLD |
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Slobodanka Stevceska, born in Skopje 1971. 1998 Graduated from the Faculty of Fine Arts in Skopje, Majoring Painting - Pedagogical Department, Second course: Graphic Design
Denis Saraginovski, born in Skopje 1971. 1991 – 1996 Faculty of Fine Arts, Skopje, Painting Department, Second course: Handmade Paper
contact: |
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Hristina Ivanovska / Jane Calovski |
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SPIRAL SWIM LINE, 2004 |
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construction of thhis large relational structure is done with the
consideration and the implications of the local site, its social, cultural
and political context, attempting to provide a public discourse to
monumentality achieved trough personal reading and engagement. In the case
of Spiral Swim Line, its monumentality, as much in the formal aspect of the
work, depend on the use of condensed time of fourteen days of production and
the human resources provided from the local community. |
