YVAA DENES 2005
July, 12th – 30th, 2005
Museum of Macedonia, Kurshumli An
 
Jury:
Bojan Ivanov (custos); Blagoja Manevski (artist, professor in Faculty of Fine Art), Slobodanka Stevceska (artist); Maja Cankulovska (curator); Kalina B. Isakovska (director, CAC)
 
Nominated artist:
Gordana Dautovska Popovska, Vedran Bojanovski, Tihomir Topuzovski and Dalibor Trencevski
 
 
Gordana Dautovska Popovska
 
 
BREATHING, 2005
Urban Installation
 
SMALL MEDITATIONS ON THE BREATHING NAKED BODY
 
Penetration into the territory of the other is an aggression upon the right to private ownership, aggression upon the thoughts, emotions, intimacy - the integrity of the other and taking control over her/his identity.
The ultimate body - the best, the most beautiful, the most productive, the cheapest, just yours?
Ultimate control - control over the ultimate body.

Public and private. Picture and word. Antagonism or synergy of the picture and the word - the eternal dilemma of the advertising architecture. The radio, the TV, the press, the film, the BTL* media differ only by the level and the focus of aggression. And among them A BILLBOARD - AN ULTIMATE AGGRESSION OF THE PICTURE ACCOMPANIED BY WORD that can not be avoided, with the largest target.
The picture is public, the word is intimate, or vice versa? The body has become public. The body rules the instinct, the emotions, the ratio. Who rules the body? The body as a capital used by the advertising brokers to make the turnover of the large corporations. They rule the public domain and whenever they identify with the public domain they rule you too - your personal - private domain.

The body is a brand in itself, and when the body breathes it thinks.

The question is what is the benefit of the body, the naked body, what is the benefit of the breathing naked body, what is the benefit of the thinking body - can this body think - obviously YES.

BUT WHAT ABOUT IT? THIS IS A PROJECT FOR CONDITIONING OF THE HUMAN AWARENESS IN THE CONSUMERS' SOCIETY. IT IS A CONSTRUCTION OR, IN THE DISCOURSE OF THE PICTURE, AN URBAN INSTALLATION DEVOTED TO THE EFFECT OF THE GLOBALISM UPON EVERYONE, REGARDLESS OF HIS/HER NATURAL DISPOSITIONS, INTELLECT, SKIN COLOR, ETHNICITY, REGARDLESS OF THE IDENTITY OF THE INDIVIDUAL - THE IDENTITY REDUCED TO A SINGLE QUALITY - A CONSUMER. SELF-REFERENTIAL CONSUMER.

* (those who don't know the meaning of the abbreviation are not missing but just another aggression)

Gordana Dautovska Popovska, born in Skopje, 1970. Faculty of Fine Arts in Skopje, BFA 1994, Department of design and graphic design. Academy of Fine Arts in Belgrade (SCG), MFA 1998.

Contact:
Address: Bajram Sabani 96, 1300 Kumanovo, Republic of Macedonia
Mobile: 389.70/ 334-543
E-mail: dautovska@gmail.com; gordana@indigo.com.mk
 
 

Vedran Bojanovski

 
 

LOOK THROUGH ME AND YOU WILL SEE

Installation, 2005

 

A polyptich composed of four parts. The parts are, actually, four photographs with fragments of female figure printed on transparent basis so that one can literally look through them. The transparency symbolizes a view back in time, a view upon various events sublimed into one given moment - the moment of NOW.
The rear part of the female torso (the back) symbolizes the moment of separation of the past from the present, a moment when the things that had happened until NOW are behind you, waiting to be replaced by others.

Vedran Bojanovski, born in Skopje, 1977. Faculty of Fine Arts in Skopje, BFA 2003. Department of sculpture.

Contact:
address: Leningradska 118, 1000 Skopje, Macedonia
tel: +389 2 313 64 04
mobile: +389 70 399 105

 
 

Dalibor Trencevski (WINER YVAA DENES 2005)

 
 

MATERIAL AND PRODUCTION, II

Installation, 2005

 
As the title says, the mausoleum is a continuation of the procedure from the first artwork. When placed in a mausoleum, the character M I P referred to as being dependant on his own technological achievements, is dead. Dead since he has buried a particular way of thinking and evaluating things. The mausoleum can be also taken as the literal destruction of man, who is trying to turn everything into numbers (facts), while forgetting his basic reason of existence. It's up to us to make the choice. Shall we make a step forward or shall we vanish.


Dalibor Trencevski, born in Skopje, 1982. Student at the Faculty of Fine Arts, Department of Painting, in the class of the Prof. Blagoja Manevski.

Contact:
ul. Oktomvriska Revolucija br.28/20, 1300 Kumanovo, Macedonia
tel: +389 31 415 602
mobile: +389 70 313 975
e-mail: dalibortrencevski@yahoo.com
 
 
Tihomir Topuzovski
 
 
TRANSCRIPTION OF THE NEW TESTAMENT
Installation, 2005
 

The process of transcribing changes a particular contents of the text, shifting it to a new designation system which incites the change of parts of its meaning. The objective of the project is to transcribe the Bible using different systems of signs.
We don't have a complete control over the transposition. The transcription confronts the imagination, through which the designating function is being dispersed. The imagination is the very power of giving, it is the source of the differences, in that process of transposition something is irrevocably lost, the particularity of the source is lost. It is a process of dissemination.

Tihomir Topuzovski, born in Skopje, 1978. Faculty of Fine Arts in Skopje, BFA 2002. Faculty of Fine Arts in Skopje, MFA 2005. Since 2001 student at the Faculty of Philosophy in Skopje. (advanced university student presently).

Contact:
Address: Naroden Front 33/19, 1000 Skopje, Republic of Macedonia
Mobile: +389.70/831-719
e-mail: ttopuzovski@yahoo.com